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Summary: Neil is back in town for the funeral of a friend. But this homecoming is gonna be about soooo much more than just paying his respects. In a town like this, secrets run deep and Neil knows something is going on and he can’t quite put his finger on what it is. However no one wants him here and he just may not get out alive
Overall: Ok, I know I tend to harp on some little things and maybe not give films the respect they deserve so I’m gonna break this review down into 2 sections. First being the technical aspects, second being the artistry of the film. So...if you watched this, you’re notice one major thing, which the title not so subtlety also points out…the blackness of the shots. I’m not sure the film intended to go this way, but this is a dark film. There are more than a few occasions where I’m staring at it, unable to have a clue at what I’m seeing (or not seeing as the case may be). I’m staring away and then when a teeny bit of light comes in, I’m just struggling to figure out what is being shot. It’s a dark film and at times, the viewing experience gets mighty difficult. But...that doesn’t mean I didn’t like the movie. It’s got some decent acting and a better than average plot. Yeah, the dialogue gets a little too familiar in it’s “Tarantino-esque” similarities. But the plot is decent and the film really picks up towards the end and we have a good climax to the film. I think we have a good product here and some very nice ideas with shot selection and cinematography. My problem was the light...but still, it’s worth a shot and a pass to see how Marc Powers can do in the future. Comparison: Goodfellas meets Pulp Fiction |